Close
Campus Blog

Limitations, Creativity, and the Gospel

Paintings have edges, stories have endings, plays have a final curtain. Limits define creativity and make it more vibrant. Our limitations are the first and possibly greatest allies to our creativity, whether in life, in the arts, or in sharing the gospel. As T.S. Eliot said, "When forced to work within a strict framework the imagination is taxed to its utmost – and will produce its richest ideas. Given total freedom the work is likely to sprawl."

Designer John Maeda says, "With more constraints, better solutions are revealed."

If we’re honest with ourselves, sometimes we need greater creativity as we present the gospel. It could be we are working with a new population or with a culture that has shifted beyond the idea of a “presentation” at all. While we should not too quickly abandon those expressions of the gospel which the Holy Spirit continues to use, likewise, we shouldn't limit new attempts at creative expression of the gospel.

Our first and greatest limitation on our creativity is the gospel itself. As we embrace new techniques and attempt innovative outreaches, we cannot sacrifice orthodoxy. The truths of the gospel remain the same regardless of how we choose to communicate them.

There are practical and logistical limitations as well – time frames, organizational policies, our target audience's availability or emotional capacity, legal issues or a hundred other things you experience each day in your ministry.

The trick in creativity is to allow these barriers to invigorate and empower our creativity rather than backing away from them.

Imagine, for instance, that you come across a man who is blind and illiterate, lives in another state from you and comes from a Buddhist background. You met on an airplane and he wants you to interact with him about the gospel. The solution you come up with will be unique and creative, driven by the particular limitations of how to share the gospel with this individual.

Many of the innovations in Cru's history have been driven by limitations. Whether it's Dr. Bright moving "God loves you" to the beginning of his gospel presentation (limitation: people were turned off starting a conversation by hearing they were going to Hell), or the advent of the  JESUS  film (limitation: Hollywood wasn't taking the Biblical text seriously), or Josh McDowell first translating his materials (limitation: it turns out many Russians spoke Russian).

Here are a few exercises that may help you try something new and creative with the gospel:

  1. Whatever is your favorite gospel tool (whether the Romans Road or the Knowing God Personally booklet or something else), "retire" it for a few weeks and try something different.
  2. Create your own "gospel tool." Remember, we're going for creativity, not necessarily transferability. Don't be afraid to try something crazy.
  3. Have everyone on your team sit in a circle and deal out 4 cards each from the Soularium tool. In the order you received your cards, go through and show how you could connect each picture to the 4 points of "Knowing God Personally."
  4. Pick the most difficult to reach subculture you can think of. Spend some time with someone from that group and try to come up with a way to share the gospel that is  specific to that person  and their subculture.
  5. Create a gospel presentation that uses no words. Then one that only uses questions.
  6. Write out a gospel presentation that never uses any of these words: grace, sin, redemption, resurrection, propitiation, sacrifice, crucifixion, wage, separated, decision, gift.

Don't be afraid of failure, that's part of creativity (and something we'll talk about in another article).

 

* This blog post first appeared on staffweb.cru.org.

* Photo courtesy of DJ Badly (Flickr - Creative Commons).

©1994-2020 Cru. All Rights Reserved.